Global Chart
Report
----------------------------------
Shakira remains
at the top
Sunday, September 13, 2026
by Fred Chuchel, Dresden
Shakira's 'Dai Dai',
the official song for the 2026 FIFA
World Cup in North America, defends
the summit of the Global Track Chart
for an impressive 12th week with
another 246,000
points, a 4% decline compared to
the previous week. Broken down by
sectors 'Dai Dai' gets 162,000
points by streaming (down 5%), 21,000 points by sales (down
4%), and 63,000
points by airplay (down 2%). It's
Shakira's first no.1 smash after 20
years (!!) and her third overall,
after 'Whenever Wherever' ruled the
chart 10 weeks between the calendar
weeks 10 and 21, 2002, and 'Hips
Don't Lie' topped the hitlist for 16
weeks, between the weeks 21 and 36,
2006. Shakira's former FIFA World Cup
song 'Waka Waka' from 2010, peaked
in July of that year at no.6 and
with a maximum of 229,000 weekly
points. 'Bby Wow', a track from
Karol G's latest album 'No Me
Arrepiento De Sentir Tanto' and a
collaboration with Spanish singer /
songwriter Judeline and artist
Rusowsky, rises from no.3
to the runner-up slot
with 209,000 points, a 28% boost
compared to the last tally with
196,000 points by sales, 10,000
points by sales, but only 3,000
points by airplay. Rounds out the
top three and also this week's
highest debut comes from Thai rapper
Lisa. Her 'SaWaDiKa' bows with
194,000 points (185,000 points by
streaming, 9,000 points by sales,
but hardly any airplay). The
accompanying music video became the
most-viewed debut video of a 2026
release in 24 hours, garnering 70.8
million views. A fun fact; eight of
our current Top 40 hits are older
than three years, a new record! Outside our Top 40
waiting among other 'Cinderella' by Mac
Miller & Ty Dolla $ign at no.45 and 'Oh Yeah?' by Steve
Lacy at no.54 for their first appearance on
the hitlist. 'Prima', the debut
album by Slovak singer / songwriter
Adéla rockets straight ahead to the
summit of the Global Album Chart.
The set bows with 110,000 equivalent
sales (59,000 points by streaming +
51,000 points by sales). It's the
lowest figure for a no.1 album in
2026. The two-member Japanese idol
group King & Prince arrives at no.3
with their sixth extended play 'So
Honey' and 102,000 sales. Between
these two new entries ranks Olivia
Rodrigo's 'You Seem Pretty Sad For A
Girl So In Love' at no.2 with
109,000 consumption units (86,000
points by streaming + 23,000 points
by sales), a total of 2,195,000
after 13 weeks on the hitlist. Much
like with the single-charts, older
products are increasingly appearing
in the album charts; five sets in
the Top 20 are older than three
years. And now, as
every week, additional stats from
outside the current Global Album Top
20 in alphabetic order. The first
figure means last week's sales, the
second figure the total sales:
'1989' by Taylor Swift 21.000 / 17,804,000, '1989 (Taylor's
Version)' by Taylor Swift 10,000 /
7,756,000, '21' by Adele 15,000 /
34,708,000, '25' by Adele 9,000 /
26,332,000, '30' by Adele 8,000 /
7,427,000, 'After Hours' by The
Weeknd 26,000 / 12,658,000,
'Confessions II' by Madonna 13,000 /
573,000,
'Cowboy Carter' by
Beyoncé 9,000 / 2,662,000, 'Divide'
by Ed Sheeran 19,000 / 23,255,000,
'Evermore' by
Taylor Swift 8,000 / 7,288,000,
'Fireworks & Rollerblades' by Benson
Boone 14,000 / 4,522,000, 'Folklore'
by Taylor Swift 24,000 / 13,644,000,
'Future Nostalgia' by Dua Lipa
19,000 / 10,720,000, 'GNX' by
Kendrick Lamar 9,000 / 4,472,000,
'Guts' by Olivia Rodrigo 24,000 /
6,417.000, 'Hurry Up Tomorrow' by
The Weeknd 18,000 / 3,283,000, 'I've
Tried Everything But Therapy' by
Teddy Swims 17,000 / 4,817,000, the
soundtrack to 'K-pop Demon Hunters'
32,000 / 5,434,000, 'Man's Best
Friend' by Sabrina Carpenter 34,000
/ 3,854,000,
'Mayhem' by Lady GaGa
21,000 / 3,674,000, 'Midnights' by
Taylor Swift 13,000 / 13,732,000,
'One Thing At A Time' by Morgan
Wallen 24,000 / 11,196,000, 'Red
(Taylor's Version)' by Taylor Swift
8,000 / 7,384,000, 'Short n' Sweet'
by Sabrina Carpenter 36,000 /
8,079,000, 'So Close To What' by
Tate McRae 23,000 / 4,032,000,
'SOS' by SZA 45,000 / 14,724,000, 'Sour' by Olivia Rodrigo
42,000 /
14,629,000,
'Starboy' by The Weeknd 36,000 /
11,291,000, 'Stick Season' by Noah
Kahan 43,000 / 7,408,000, 'The Highlights'
by The Weeknd 15,000 / 11,308,000,
'The Life Of A Showgirl' by Taylor
Swift 37,000 / 9.866.000,
'The Rise And Fall Of A Midwest
Princess' by Chappell Roan 14,000 /
5,346,000, 'The Romantic' by Bruno
Mars 34,000 / 1,695,000, 'The Secret Of Us' by
Gracie Abrams 17,000 / 4,604,000,
'The Tortured Poets Department' by
Taylor Swift 21,000 / 12,630,000,
'Tropicoqueta' by Karol G 27,000 /
2,080,000, and 'When We All Fall
Asleep, Where Do We Go?' by Billie
Eilish 9,000 / 13,716,000.
GLOBAL NO.1 - 30
YEARS AGO
... "Macarena" was originally
recorded for the Spanish duo's 1993 album A Mí Me Gusta. A
dance remix by the electropop group Fangoria was a success
in Spain, and a soundalike cover version by Los Del Mar
became popular in Canada. Another remix by Miami-based
producers the Bayside Boys, who added a section with English
lyrics and expanded its popularity, initially peaked at
no.45 on the US Billboard Hot 100 in late 1995. This remix
enjoyed a sgnificant revival the following year, its
resurgence was aided by a dance craze that became a cultural
phenomenon. However, "Macarena" was the biggest smash-hit of
the year 1996 globally and reached the top positions on the
hitlists in almost all countries around the world.
USA
Billboard Report
(excerpt)
'Choosin' Texas' ties
all-time Hot 100 record
Tuesday, September 15, 2026
by Keith Caulfield & Gary
Trust, Los Angeles
Ella Langley's
“Choosin’ Texas” claims a
22nd week at No. 1 on the
Billboard Hot 100, tying the
longest run ever achieved
atop the chart. The smash
matches the command of
Mariah Carey's
perennial “All I Want for
Christmas Is You.” Two weeks
earlier, “Choosin’ Texas”
rewrote the record for the
most weeks totaled atop the
Hot 100 among non-holiday
songs, as its 20th week at
No. 1 surpassed the reigns
of both Shaboozey’s “A Bar
Song (Tipsy)” and Lil Nas
X’s “Old Town Road,”
featuring Billy Ray Cyrus.
“Choosin’ Texas” debuted on
the Hot 100 dated Nov. 1,
2025; became Langley’s first
top 10 in January; and
initially led in
February, on its way to
setting multiple chart
records.
It crowned the Country
Airplay chart for three
weeks in February-March and
has crossed to pop radio
formats, currently ranking
in the top 10 on Pop
Airplay, Adult Pop Airplay
and Adult Contemporary. “All
I Want for Christmas Is You”
has topped the
Hot 100 each Yuletide season
since the classic 1994 carol
initially led in 2019, and
could add to
its total in the holidays
ahead. “Choosin’ Texas,” on
Sawgod / Columbia Records,
with Triple Tigers having
promoted it to country
radio, totaled 24 million
official streams, 56.9
million radio airplay
audience impressions (down
2% week over week in each
metric) and 6,000 sold (down
16%) in the United States
Sept. 4-10. The track holds
for a 22nd week at No. 1 on
Streaming Songs; dips 5-6,
after reaching No. 4, on
Radio Songs; and rises 4-1
for a 17th week atop Digital
Song Sales. Stella Lefty’s
“Boston” holds at its No. 2
Hot 100 high; Taylor Swift’s
“I Knew It, I Knew You”
keeps at No. 3, after it
spent its first two weeks on
the chart at No. 1 in June;
and Morgan Wallen’s “Been by
Now” rebounds 5-4, after it
debuted at its No. 2 best.
Meanwhile, “I Knew It, I
Knew You” leads Radio Songs
for a fourth week (64.6
million, down 13%).
Karol G’s “BbY WOW,” with
Judeline and rusowsky,
surges 16-10 on the Hot 100,
led by 13.4 million streams
(up 14%) and 3.8 million in
radio reach (up 78%). Karol
G collects her second Hot
100 top 10, after “TQG,”
with fellow Colombian star
Shakira, debuted at its No.
7 peak in March 2023.
Judeline and rusowsky reach
the region in their first
visits to the chart. Ariana
Grande’s “Hate That I Made
You Love Me” slips 4-5 on
the Hot 100, after it led in
its debut week in June. Tame
Impala and Jennie’s
“Dracula” holds at No. 6
after reaching No. 5 on the
Hot 100. Olivia Dean’s “So
Easy (To Fall in Love)” is
steady at No. 7 on the Hot
100, after hitting No. 5,
while her “Man I Need”
repeats at No. 8, after
reaching at No. 2. Rounding
out the Hot 100’s top 10,
Langley’s “Be Her” rises
10-9, after peaking at No.
2.
Ella Langley's Dandelion
returns to No. 1 on the
Billboard 200 albums chart
for a third nonconsecutive
week on top, as the album
rises two slots on the Sept.
19-dated chart. The set
earned 67,000 equivalent
album units in the United
States in the week ending
Sept. 10, according to
Luminate, down less than 1%
compared to the previous
week. Dandelion debuted at
No. 1 on the April 25,
2026-dated chart, spent its
first two weeks atop the
list and has never left the
top five. Of Dandelion’s
67,000 equivalent album
units earned in the latest
tracking week, SEA units
comprise 57,000 (down 4%,
equaling 60.21 million
on-demand official streams
of the set’s tracks; it
holds at No. 2 on Top
Streaming Albums), album
sales comprise 9,000 (up
43%, it climbs 21-11 on Top
Album Sales) and TEA units
comprise 1,000 (down 16%).
Two former No. 1s follow
Langley. Olivia Rodrigo's
you seem pretty sad for a
girl so in love lifts 4-2
(64,000 equivalent album
units, down 4%) and Morgan
Wallen's I'm The Problem
rises 5-3 (60,000, down less
than 1%). Adéla’s
PRIMA premieres at No. 4
with 56,000 equivalent album
units earned. Of that sum,
album sales comprise 31,000
(it debuts at No. 1 on Top
Album Sales), SEA units
comprise 25,000 (equaling
25.94 million on-demand
official streams of the
set’s songs; it debuts at
No. 14 on Top Streaming
Albums) and TEA units
comprise a negligible sum.
The 22-year-old Slovakian
singer-songwriter gained
attention in 2023 when she
participated in Dream
Academy, the reality
competition show that
eventually launched Katseye.
While she was one of the
first contestants eliminated
from the program, she would
drop her debut single
“Homewrecked” in 2024, and
then “Superscar” soon after.
In 2025, she signed to
Capitol Records and launched
her first EP, The
Provocateur. She made her
Billboard Hot 100 debut in
August with the PRIMA track
“Ain’t in LA,” which has
scaled to No. 57 as of the
Sept. 19-dated chart. Noah
Kahan’s chart-topping The
Great Divide is up a notch
to No. 5 on the latest
Billboard 200 (47,000
equivalent album units, down
12%). Ariana Grande’s former
leader petal pushes 15-6
with 44,000 equivalent album
units earned (up 36%)
following the release of a
deluxe digital download
edition of the set with
bonus live tracks. Rod
Wave’s Don’t Look Down falls
to No. 7 after debuting atop
the chart a week ago. In its
second week, the set earned
42,000 equivalent album
units (down 57%). Beyoncé’s
B’Day returns to the
Billboard 200 for the first
time since 2008, as the set
re-enters the chart at No. 8
following its 20th
anniversary deluxe reissue.
The album was originally
released in 2006, debuted at
No. 1 and marked the
superstar’s second leader.
In the latest tracking week,
B’Day earned 38,000
equivalent album units (up
385%). Of that sum, SEA
units comprise 22,000
(equaling 22.49 million in
on-demand official streams
of the set’s songs, it
debuts at No. 19 on the
nearly three-year-old Top
Streaming Albums chart),
album sales comprise 16,000
(it reenters at No. 4 on Top
Album Sales) and TEA units
comprise a negligible sum.
Drake’s chart-topping ICEMAN
falls a rung to No. 9 on the
Billboard 200 (36,000
equivalent album units, down
6%) and Olivia Dean’s The
Art of Loving retreats a
spot to No. 10 (34,000, down
8%).
Record Of The Month
'SaWaDiKa' is the new smash
by Thai rapper and singer
Lisa.
It's an homage to her home
country Thailand, with the
title translation to 'hello'
in Thai.
United Kingdom
Music Week Report
(excerpt)
Sienna Spiro reaches nubmer
one
Monday, September 14, 2026
by Alan Jones, London
In another week of low
consumption and tiny
margins, Great Expectation
climbs 2-1 for Sienna Spiro,
to become the first
chart-topper for the
20-year-old
singer/songwriter from
London. The last British
female artist to top the
chart at a younger age with
a solo release was Ella
Henderson,
18 when she was
No.1 with Ghost in 2014.(Ghost,
incidentally, was replaced at No.1 by Gecko (Overdrive), a collaboration between
Dutch DJ Oliver Heldens and British singer Becky Hill, who were 19 and 20 at the
time, respectively, but we’re looking here at solo singles, so Hill does not
qualify).
Trailing former incumbent Choosin’ Texas (1-2, 26,552 sales) by Ella Langley in
all of the week’s sales flashes, Great Expectation finally emerged triumphant on
consumption of 28,147 units (1,789 digital downloads and 26,358 sales-equivalent
streams), an increase of 11.41% week-on-week.
Spiro co-wrote Great Expectation with the song’s producers, Omer Fedi and
Michael Pollack. Israeli Fedi previously co-wrote and produced Montero (Call Me
By Your Name), No.1 for Lil Nas X in 2021; and Unholy, No.1 for Sam Smith & Kim
Petras in 2022, while New Yorker Pollack co-wrote Lewis Capaldi’s 2022 No.1,
Forget Me and Miley Cyrus’ 2023 No.1, Flowers.
Pollack also
co-penned and co-produced Cyrus’ new hit, Bass Persuades – the
highest of five new entries this week at No.31 (9,960 sales) – alongside Cyrus
herself. The title track of Cyrus’ upcoming 10th album, it is her 33rd Top 75
hit (including one as Hannah Montana) and her 28th Top 40 entry.
Spiro’s biggest hit until Great Expectation emerged was Die On This Hill. After
peaking at No.9 last November, Die On This Hill eventually hit ACR and exited
the Top 75 but rallied on the release of its – and Great Expectations’ – parent
album Visitor. Having successfully returned from ACR, it has improved its chart
position five weeks in a row, and jumps 13-11 this week on consumption of 15,604
units, just two notches below its peak. It is, of course, her most-consumed
title, with a to-date tally of 865,149 units. Her third concurrent hit, and
seventh chart entry in total, Pure, holds at its No.36 peak (9,118 sales). Both
are also Fedi & Pollack co-writes from the Visitor album.
Sparked into life by its use in the box office smash, Spider-Man: Brand New Day,
Loser has been in the Top 20 for several weeks for Tame Impala, and finally
becomes his second Top 10 single, climbing 12-10 (15,756 sales).
Training Season’s ongoing viral revival sees Dua Lipa’s 2024 No.4 hit Training
Season return to the Top 10 for the first time since, vaulting 18-7 (17,600
sales).
The rest of the Top 10: Movin’ To The Sun (3-3, 24,590 sales) by Hugel, Imael
Angel & Ultra Naté, Boston (4-4, 23,879 sales) by Stella Lefty, Rein Me In (7-5,
19,219 sales) by Sam Fender & Olivia Dean, The Cure (8-6, 18,936 sales) by
Olivia Rodrigo, Man I Need (10-8, 16,917 sales) by Olivia Dean and 9 To 5 (5-9,
16,101 sales) by Dolly Parton. Rein Me In is the most-consumed track for the
11th week in a row, and 21st week in total, with unadjusted consumption of
38,030 units.
Overall singles consumption is up 1.56% week-on-week to 29,212,444 units, 2.18%
below same week 2025 sales of 29,861,948 units. It is the fifth week in a row
they have been below same week 2025 levels. Paid-for sales are down 7.89%
week-on-week at 250,232, 6.66% below same week 2025 sales of 268,097.
Twenty-two years to the week since they made their
first album chart appearance, Kasabian become the second group and
fourth act in chart history to debut at No.1 with eight consecutive
albums, as their ninth studio set, Act III, opens atop the list on
consumption of 14,373 units (8,579 CDs, 4,194 vinyl albums, 711 digital
downloads and 889 sales-equivalent streams).
Consisting of 13 tracks with a playing time of
less than 33 minutes, Act III is the third Kasabian album on which their
principal songwriter Sergio Pizzorno – who singlehandedly wrote every
song – has also served as lead vocalist, following the 2020 departure of
Tom Meighan, who had fronted the group since its formation in Leicester
29 years ago.
First week sales of Act III are the lowest for any
Kasabian studio effort. Their previous No.1s, their first week sales,
and release years are: Empire (109,397, 2006), West Ryder Pauper Lunatic
Asylum (98,423, 2008), Velociraptor! (94,088, 2011), 48:13 (70,339,
2014), For Crying Out Loud (52,413, 2017), The Alchemist’s Euphoria
(21,548, 2022) and Happenings (19,752, 2024).
Their eponymous first album, which debuted and
peaked at No.4 in 2004, also had higher first week sales of 36,484 and,
despite being their only studio album not to reach No.1, is easily their
biggest seller with to-date consumption of 1,114,655, followed by West
Ryder Pauper Lunatic Asylum (996,640), Empire (845,440), Velociraptor!
(683,533), 48:13 (525,215), For Crying Out Loud (223,022), The
Alchemist’s Euphoria (39,068) and Happenings (35,124).
A 2010 set – The Albums – housed their first three
releases, reached No.22 and has sold 107,122 copies, while double-packs
of West Ryder Pauper Lunatic Asylum/Velociraptor!, Kasabian/Empire and
Empire/West Ryder Lunatic Asylum have secured sales of 116,989, 23,402
and 15,899 copies, respectively.
A 22-year-old singer/songwriter from Bratislava,
Adéla is the first Slovakian to chart, and finishes in a commendable
second place, with her introductory album Prima on consumption of 12,253
units a mere six weeks after making her singles chart debut with Ain’t
In LA. That single surges into the Top 20 this week, while another track
from the album, Nicole Kidman, gets a toehold on the Top 75. Had she
beaten Kasabian, Adéla would have been the first female soloist from
mainland Europe to have a No.1 album since The Netherlands’ Caro Emerald
in 2013.
There is no singles chart presence for President,
nevertheless the much-hyped and publicity-shy masked metal quartet –
whose members are rumoured to include Busted alumnus Charlie Simpson –
debut at No.5 with their first album, Blood Of Your Empire, on
consumption of 10,204 units.
One of the best new folk/rock singer/songwriters
to emerge in the 2020s, Jamie Webster scores his fourth straight Top 10
album – his entire output - as Running Round The Sun, comprising 12 new
self-penned songs, debuts at No.10 (6,912 sales). Webster’s 2020 debut,
We Get By, reached No.6, 2022 follow-up Moments reached No.3, and 2024
third album 10 For The People, reached No.2.
The rest of the Top 10: You Seem Pretty Sad For A
Girl So In Love (4-3, 10,552 sales) by Olivia Rodrigo, The Essential
(5-4, 10,240 sales) by Michael Jackson, Visitor (7-6, 8,164 sales) by
Sienna Spiro, The Art Of Loving (8-7, 7,992 sales) by Olivia Dean, 50
Years: Don’t Stop (9-8, 7,394 sales) by Fleetwood Mac and The Highlights
(10-9, 6,939 sales) by The Weeknd.
Overall album sales are down 1.55% week-on-week to 2,354,723 units,
their lowest level for 35 weeks and 3.21% below same week 2025 sales of
2,432,779. Physical product accounts for 291,961 sales, 12.40% of the
total.