Global Chart
Report
----------------------------------
'Patient Zero'
remains at no.1
Sunday, October 18, 2026
by Fred Chuchel, Dresden
'Patient Zero', the
official single release from Taylor
Swift's 'Encore' EP (part of the
deluxe editon from her latest album
'The Life Of A Showgirl'), defends
the pole position of the Global
Track Chart for a third consecutive
week with another 277,000
points, a 5% increase compared to
the previous
week. Broken down by sectors
'Patient Zero' gets 84,000 points
by streaming (down 32%), 151,000
points by sales (up 36%), and 42,000
points by airplay (up 31%). It's
Taylor Swift's eleventh global no.1
smash and the 784th no.1 hit in our
chart history (since 1955). A
complete list of all no.1 hits can
you find here:
NO.1 CHRONICLE.
'Bby Wow' by Karol G | Judeline |
Rusowsky holds tight at the
runner-up slot with 208,000 points,
a 1,5% increase to the former week
with 174,000 points by streaming,
18,000 points by sales, and 16,000
points by airplay. Singer,
songwriter and dancer Adéla is the
first Slovak artist to achieve
worldwide success. Became known
through the talent
competition
television show Dream Academy, she
signed a contract with Capitol
Records. And now Adéla has two big
hits in the global top five: 'Ain't
In LA' ranks at no.5 with 150,000
points (up 3%) and 'Nicole Kidman'
reached a new peak at no.3 with
181,000 points (up 17%). Outside our
Top 40 waiting among other 'Cinderella' by Mac
Miller & Ty Dolla $ign at no.48,
'Mi Chico' by DJ Goja | Jason Derulo
| Melody at no.50,
and 'Rein Me In' by Sam Fender feat.
Olivia Dean at no.54 for their first appearance on
the hitlist. 'Amenity', the sixth
studio album by Japanese idol boy
band Snow Man, rockets straight
ahead to the summit of the Global
Album Chart with massive 515,000
equivalent sales (almost all of
these are points resulting from
physical sales). The former effort
'Onkochishin' started also at the
top position in the calendar week
47, 2025, with 516,000 points.
Taylor Swift's 'The Life Of A
Showgirl' (with the additional
four-track EP 'Encore') holds tight
at no.2 with 127,000 consumption
units (down 12% with 76,000 points
by streaming + 51,000 points by
sales). One year ago, in the
calendar week 42, 2025, the set
bowed with stellar 5,37 million
units, a total of 10,41 million so
far. Olivia Rodrigo's 'You Seem
Pretty Sad For A Girl So In Love'
turns back to the top three with
109,000 equivalent sales (up 2% with
86,000 points by streaming + 23,000
points by sales). With a total of
2,72 million, the album ranks
currently at.6 on the year-to-date
list. We have subjected the
ALL TIME TOP 100 ALBUM CHART
to a thorough revision. It's a fun
fact, that many of these albums from
long-gone times are still highly
ranked on the international
hitlists. For example Michael
Jackson's legendary effort
'Thriller' from 1983. With around 72
million sales it's still far and
away the most successful album of
all time. This week the set placed
at no.10 globally with 58,000 units,
a total 2,32 million this year
alone. Fleetwood Mac's 'Rumours'
from 1977 generated 34,000 points
this week, a total of 1,49 million
in 2026 so far and a total of 37
million since its release. Another
perennial bestseller is 'Legend',
the posthumously published
compilation by Bob Marley. The 42
year-old set gets 20,000 equivalent
sales this week, a total of 32
million, with 911,000 units this
year alone. And now, as
every week, additional stats from
outside the current Global Album Top
20 in alphabetic order. The first
figure means last week's sales, the
second figure the total sales:
'1989' by Taylor Swift 16.000 / 17,908,000, '1989 (Taylor's
Version)' by Taylor Swift 10,000 /
7,806,000, '21' by Adele 17,000 /
34,787,000, '25' by Adele 10,000 /
26,381,000, '30' by Adele 8,000 /
7,467,000, 'After Hours' by The
Weeknd 31,000 / 12,801,000,
'Confessions II' by Madonna 10,000 /
631,000,
'Cowboy Carter' by
Beyoncé 9,000 / 2,707,000, 'Divide'
by Ed Sheeran 19,000 / 23,347,000,
'Evermore' by
Taylor Swift 8,000 / 7,328,000,
'Fireworks & Rollerblades' by Benson
Boone 14,000 / 4,594,000, 'Folklore'
by Taylor Swift 23,000 / 13,769,000,
'Future Nostalgia' by Dua Lipa
18,000 / 10,806,000, 'GNX' by
Kendrick Lamar 9,000 / 4,517,000,
'Guts' by Olivia Rodrigo 35,000 /
6,572.000, 'Hurry Up Tomorrow' by
The Weeknd 21,000 / 3,377,000, 'I've
Tried Everything But Therapy' by
Teddy Swims 21,000 / 4,912,000,
'Iceman' by Drake 40,000 /
2,108,000, the
soundtrack to 'K-pop Demon Hunters'
31,000 / 5,588,000, 'Man's Best
Friend' by Sabrina Carpenter 28,000
/ 3,997,000,
'Mayhem' by Lady GaGa
25,000 / 3,783,000, 'Midnights' by
Taylor Swift 14,000 / 13,805,000,
'One Thing At A Time' by Morgan
Wallen 20,000 / 11,308,000, 'Petal'
by Ariana Grande 46,000 / 1,193,000, 'Red
(Taylor's Version)' by Taylor Swift
11,000 / 7,433,000, 'Short n' Sweet'
by Sabrina Carpenter 47,000 /
8,255,000, 'So Close To What' by
Tate McRae 28,000 / 4,153,000,
'Starboy' by The Weeknd 38,000 /
11,469,000, 'Stick Season' by Noah
Kahan 44,000 / 7,629,000, 'The Highlights'
by The Weeknd 15,000 / 11,383,000,
'The Rise And Fall Of A Midwest
Princess' by Chappell Roan 14,000 /
5,420,000, 'The Romantic' by Bruno
Mars 32,000 / 1,847,000, 'The Secret Of Us' by
Gracie Abrams 22,000 / 4,698,000,
'The Tortured Poets Department' by
Taylor Swift 25,000 / 12,768,000,
'Tropicoqueta' by Karol G 26,000 /
2,201,000, and 'When We All Fall
Asleep, Where Do We Go?' by Billie
Eilish 9,000 / 13,761,000.
GLOBAL NO.1 - 50
YEARS AGO
... Musically,
"Dancing Queen" is a Europop version of American disco music. As
disco music dominated the US charts, the group decided to follow the
trend, replicating Phil Spectors's Wall of Sound arrangements. Andersson
and Ulvaeus have cited George McCrae's "Rock Your Baby" (1974) as a
source of inspiration for the style of the song. Lyrically, it concerns
a visit to the discothéque, but approaches the subject from the joy of
dancing itself. Therefore, whilst "Dancing Queen" premiered on both
German and Japanese television during the spring of 1976, the song did
not appear until August that year. It had its first live and domestic
performance on June 18, 1976 during an all-star gala staged by Kjerstin
Dellert at the Royal Swedish Opera in honour of King Carl XVI Gustaf and
his bride-to-be, Silvia Sommerlath, who were married the next day.
"Dancing Queen" reached the number one position in the United States,
United Kingdom, Germany, Canada, Australia, the Netherlands, Belgium,
Sweden, Norway, Denmark, Portugal, Ireland and New Zealand.
USA
Billboard Report
(excerpt)
'Choosin' Texas' ranks still at no.2
Tuesday, October 20, 2026
by Keith Caulfield & Gary
Trust, Los Angeles
Taylor Swift's “Patient
Zero” leads the
Billboard Hot 100 for a
third total and consecutive
week, having debuted as her
16th career No. 1. The
single is one of four new
cuts on the deluxe
version, released Sept. 25,
of Swift’s 2025 album,
The Life of a Showgirl.
“Patient Zero,” on Republic
Records, totaled 12.8
million official streams
(down 27% week over week),
28.2 million radio airplay
audience impressions (up
8%), 27,000 downloads sold
(up 246%) and 151,000
physical copies sold (up
12%) in the U.S. Oct. 9-15.
The track drops 2-3 on the
Streaming Songs
chart after a week at No. 1;
holds at its No. 15 high on
Radio Songs;
and logs a third week at No.
1 on Digital Song Sales.
Boosting the song’s totals
in the tracking week were
the arrivals of its acoustic
and piano versions, for
digital download and on
streaming services, and its
7-inch vinyl version sold in
Swift’s webstore. “Patient
Zero” gives Swift a 52nd
week career week atop the
Hot 100, combining all her
chart-toppers. She is one of
five acts with the milestone
equivalent of a year or more
at No. 1 over the list’s
68-year history. Dominic
Fike’s “Babydoll” climbs
13-10 on the Hot
100, led by 48.4 million in
radio reach (up 4%), along
with 5.6 million streams, in
the tracking week. The
Florida native charted four
previous Hot 100 entries
(which peaked between Nos.
81 and 99) in 2021-25 before
“Babydoll” broke through,
thanks, in large part, to
new traction on TikTok. He
has since added a second top
40 hit, “White Keys,” which
reached No. 32 in April.
In
Billboard Philippines’
July digital issue cover
story,
Fike mused about the new
attention on “Babydoll,”
which was released on his
2018 EP,
Don’t Forget About Me, Demos.
“I was making an album in
upstate New York, and it was
just me and, like, five
dudes … we were in a cabin
in hoodies, drinking
coffee,” he said of the
song’s ascent at last. “The
initial shock of it was very
chill … and then I got to
live out the reality of it
happening, which was cool.”
Fike’s third studio album,
How To Quit Smoking,
is due Oct. 30.
Ella Langley’s “Choosin’
Texas” holds at No. 2
following its record 24
weeks
atop the Hot 100. It
concurrently ties Mariah
Carey’s “All I Want for
Christmas Is You” for the
most weeks – 26 – totaled at
No. 1 on Streaming Songs
(19.8 million, down 5%, Oct.
9-15). Stella Lefty’s
“Boston” keeps at No. 3 on
the Hot 100 and Morgan
Wallen’s “Been by Now” is
steady at No. 4, with both
having hit No. 2. Tame
Impala and Jennie’s
“Dracula” lifts a spot back
to its No. 5 Hot 100 high.
Adéla’s “Nicole Kidman”
ascends 9-6 for a new Hot
100 best; Ariana Grande’s
“Hate That I Made You Love
Me” holds at No. 7, after it
led in its debut week in
June; and Olivia Rodrigo’s
“Stupid Song” repeats at No.
8, after peaking at No. 3.
Karol G’s “BbY Wow,” with
Judeline and rusowsky, rises
10-9 on the Hot 100, after
reaching No. 6. Taylor Swift’s
The Life of a Showgirl logs
a 15th nonconsecutive week
atop the Billboard 200 chart
(dated Oct. 24), earning
87,000 equivalent album
units in the United States
in the week ending Oct. 15
(down 7%), according to
Luminate. The set returned
to No. 1 two weeks ago,
after it was reissued in a
deluxe edition on Sept. 25
with four previously
unreleased songs, including
the Billboard Hot 100-topper
“Patient Zero.” Of The Life
of a Showgirl’s 87,000
equivalent album units
earned in the latest
tracking week, SEA units
comprise 47,000 (down 28%,
equaling 48.37 million
on-demand official streams
of the set’s tracks; it
moves 2-4 on Top Streaming
Albums), album sales
comprise 37,000 (up 38%
after a stock replenishment
of some physical editions in
Swift’s official store; it
rebounds a spot for a ninth
week at No. 1 on Top Album
Sales) and TEA units
comprise 3,000 (up 95%). The
rest of the top five on the
Billboard 200 is comprises
of former No. 1s: Olivia
Rodrigo’s you seem pretty
sad for a girl so in love
rises 3-2 (65,000 equivalent
album units, down 1%);
Morgan Wallen’s I’m the
Problem climbs 5-3 (55,000,
down 1%); Ella Langley’s
Dandelion ascends 6-4
(53,000, down 3%); and Noah
Kahan’s The Great Divide
steps 7-5 (45,000, down 3%).
Drake’s Habibti falls 2-6
with 43,000 equivalent album
units earned (down 39%)
after it vaulted 116-2 a
week ago after following its
reissue with four additional
songs. Olivia Dean’s The Art
of Loving is up a spot to
No. 7 with 35,000 units (up
1%) and Noah Kahan’s Stick
Season lifts 9-8 with 33,000
units (down 1%). Greta Van
Fleet collects its fourth
top 10-charted project as
Palace for the People
premieres at No. 9. The set
earned 30,000 equivalent
album units in its opening
frame. Album sales comprise
26,000 of that sum (it
debuts at No. 2 on Top Album
Sales), SEA units comprise
4,000 (equaling 3.89 million
on-demand official streams
of the set’s tracks) and TEA
units comprise a negligible
sum. First-week sales of the
set were bolstered by its
availability across five
vinyl variants, two CD
variants, one cassette and a
digital download. Rounding
out the latest Billboard
200’s top 10 is Drake’s
former No. 1 Iceman, which
rises 11-10 with nearly
30,000 equivalent album
units (down 2%).
Record Of The Month: 'Stop
The Wedding!' by Ashe
Shortly after marrying her
second husband in 2025, Ashe
reflected on her first
marriage
and how her ex-husband's
behavior during their
wedding had foreshadowed
their divorce.
This realization inspired
her to write the song, in
which she pleads to her
younger self
to leave her prior marriage
before the problems could
begin.
United Kingdom
Music Week Report
(excerpt)
Jamie Miller's 'Babydoll' reaches
no.2
Monday, October 19, 2026
by Alan Jones, London
In the week that her UK
track consumption surpasses
125 million, and Karma
becomes her 31st song to
pass the million mark,
Taylor Swift is No.1 for the
third time in a row with
Patient Zero, the
introductory single from the
expanded Encore edition of
her album, The Life Of A
Showgirl. Patient Zero is
the third
of Swift’s eight No.1s to spend its first three weeks
on the chart at No.1, emulating Anti-Hero (2022) and The Fate Of Ophelia (2025).
After first week consumption of 46,993 units, and second week consumption of
38,456 units, Patient Zero turned in its best tally yet, with a tertiary frame
of 55,413 units, with 1,591 digital downloads and 20,130 sales-equivalent
streams dwarfed by sales of 33,692 CDs. In three variants, the CDs started to
ship last week, when they contributed 10,940 sales. Their latest contribution
raises the overall CD sales of Patient Zero to 44,632 units.
Earlier this year, Swift’s seventh No.1, I Knew It I Knew You shifted 42,492 CDs
in a week, on its way to overall CD sales of 47,764, making it the biggest
selling CD since X Factor winner Ben Haenow’s 2014 coronation single, Something
I Need, which sold 47,001 on its first week, and 92,040 overall. Among 2020s
singles, The Beatles’ Now And Then is the only other track to exceed
40,000 sales
on CD, with a to-date tally of 47,484.
Swift has now spent 23 weeks at No.1 in her career, all but two of them in the
2020s.
Without CDs, Patient Zero would have spent only one week at No.1 without CDs,
and this week’s No.1 would be Babydoll, which instead jumps 3-2, for Jamie
Miller, with consumption growing 22.66% week-on-week to 34,389 units.
A finalist in the 2017 series of The Voice UK, Miller has had to wait nine years
to achieve his first hit but Babydoll is currently the second-highest charting
song by a contestant in the long-running show, trailing only Gecko (Overdrive),
a 2014 No.1 hit for first season (2012) finalist Becky Hill and Dutch DJ Oliver
Heldens.
Also ascending to a new peak, Stop The Wedding! is growing at a faster rate,
increasing consumption 25.40% week-on-week at it climbs 4-3 (32,176 sales) for
Ashe.
The rest of the Top 10: Great Expectation (2-4, 28,483 sales) by Sienna Spiro,
Nicole Kidman (8-5, 22,702 sales) by Adéla, Boston (6-6, 21,795 sales) by Stella
Lefty, Choosin’ Texas (5-7, 21,225 sales) by Ella Langley, The Cure (7-8, 20,633
sales) by Olivia Rodrigo, Rein Me In (11-9, 17,807 sales) by Sam Fender & Olivia
Dean and My Body Isn’t Ready (10-10, 17,097 sales) by Sombr.
Overall singles consumption is down 1.20% week-on-week to 29,566,787 units,
4.74% below same week 2025 sales of 31,039,026 units. Paid-for sales are up
6.67% week-on-week at 271,140, 6.60% above same week 2025 sales of 254,358.
Nearly 20 years after his chart debut and more than four years since his last
album, Jamie T maintains his record of making the Top 5 with every release and
reaches No.1 for the second time, with sixth studio album, Ghosts (100 Days Of
Morning) debuting at the summit.
First week consumption of 18,494 units – 9,866 CDs, 6,565 vinyl albums, 461
cassettes, 379 digital downloads and 1,223 sales-equivalent streams – is enough
for the 40-year-old singer/songwriter (real name Jamie Treays) to effect the
16th change of leadership at the top of the chart in as many weeks.
The album’s first week consumption is 8.95% below the 20,311 units that earned
his last album, The Theory Of Whatever, a No.1 debut in 2022.
In fact, only one of Jamie T’s previous albums has had a smaller first week
tally. His introductory album, Panic Prevention, debuted and peaked at No.4 and
did so with his highest first week sale of 42,041 in 2007. Follow-up Kings &
Queens debuted at No.2 on sales of 27,807 copies in 2009; third album Carry On
The Grudge, debuted and peaked at No.4 while selling 19,925 copies in 2014; and
fourth album Trick managed just 10,684 units when debuting at No.3 in 2016.
Panic Prevention is his most successful album with to-date consumption of
322,546 units, followed by Kings & Queens on 188,480 sales, Carry On The Grudge
on 132,183, Trick on 48,725 and The Theory Of Whatever on 42,928 units.
Opening at No.9 (6,742 sales), She’s The Best, is the fourth studio album, sixth
Top 75 and fourth Top 10 entry for South African-born Australian
singer/songwriter Troye Sivan.
The rest of the Top 10: You Seem Pretty Sad For A Girl So In Love (3-3, 10,910
sales) by Olivia Rodrigo, The Essential (4-4, 9,578 sales) by Michael Jackson,
The Art Of Loving (7-5, 8,156 sales) by Olivia Dean, Visitor (6-6, 8,007 sales)
by Sienna Spiro, 50 Years: Don’t Stop (9-7, 7,150 sales) by Fleetwood Mac, Time
Flies: 1994-2009 (10-8, 6,751 sales) by Oasis and The Highlights (11-10, 6,690
sales) by The Weeknd.
Overall album sales are down 1.96% week-on-week to 2,412,445 units, 6.27% below
same week 2025 sales of 2,573,931. Physical product accounts for 303,854 sales,
12.60% of the total.