Global Chart
Report
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Tones And I dances still at no.1
Thursday, October 31, 2019
by Fred Chuchel, Dresden
The 11th time this
year an album from South Korea tops the Global Album Chart:
'Time_Slip', the ninth Korean-language studio album by boy group Super
Junior, rockets atop with 288,000 equivalent sales, 271,000 of it from
their native country alone (according to Hanteo). The second and third
new-entry on the current hitlist are also from Asia. 'XV' by
Tohoshinki lands at no.2 with 159,000 sales and 'Kagura Iro Artifact'
by MafuMafu bows at no.4 with 109,000 sales (both figures according to
Oricon). The highest debut of a western hemisphere album lands shy
behind the Top 10 at no.11, it's 'Walk The Sky' the sixth studio
effort by American rock band Alter Bridge with 53,000 sales. Billie
Eilish's million-seller 'When We All Fall Asleep, Where Do We Go?'
ranks a 30th week inside the Top 10 with another 67,000 equivalent
sales. The album is still at the runner-up slot of the year-to-date
chart with a total of 3,74 million, but the gap to the no.1, Bangtan
Boys'
'Map Of The Soul:
Persona' (4,12 million), gets smaller and smaller every week. There's
a good chance, that Billie Eilish will reign the Year-End Chart 2019. And now, as every week, additional stats from outside the current
Global Top 10 in alphabetic order, the first figure means last week's
sales, the second figure the total sales: '1989' by Taylor Swift 8,000
/ 11,180,000, '21' by Adele 9,000 / 29,778,000, '25' by Adele 8,000 / 22,170,000,
the 'A Star
Is Born' soundtrack 27,000 / 5,213,000, 'American Teen' by Khalid
14,000 / 3,446,000, 'Astroworld' by Travis Scott 34,000 / 3,919,000,
'Beerbongs & Bentleys'
by Post Malone 33,000 / 5,930,000, the 'Bohemian Rhapsody' soundtrack
21,000 /
3,884,000, 'Care Package' by Drake 8,000 / 347,000, 'Championships' Meek Mill 12,000 / 1,614,000,
'Cuz I Love You' by Lizzo 30,000 / 999,000, 'Damn.' by Kendrick
Lamar 12,000 / 5,566,000, 'Death Race For Love' by Juice WRLD 15,000 /
1,130,000,
'Divide' by Ed Sheeran 28,000 / 15,280,000, 'Divinely Uninspired To A
Hellish Extent' by Lewis Capaldi 44,000 / 1,091,000, 'Evolve' by Imagine
Dragons 12,000 / 4,843,000, 'Father Of Asahd' by DJ Khaled 8,000 /
679,000,
'Free Spirit' by Khalid 24,000 / 1,614,000, 'Goodbye & Good Riddance' by
Juice WRLD 17,000 / 2,326,000, 'Happiness Begins' by Jonas Brothers
17,000 / 1,079,000, 'Hurts 2B Human' by Pink 6,000 / 931,000, 'In The Lonely Hour' by Sam Smith
9,000 / 8,248,000, 'Indigo' by Chris Brown 37,000 / 861,000,
'Invasion Of Privacy' by Cardi B 14,000 / 3,127,000, 'Kamikaze' by
Eminem 8,000 / 2,831,000, 'Love Yourself 轉 Answer' by BTS (Bangtan
Boys) 5,000 / 2,669,000, 'Madame X' by Madonna 2,000 / 482,000, 'Map Of The Soul: Persona' by BTS (Bangtan
Boys) 15,000 / 4,123,000, 'Norman Fucking Rockwell!!' by Lana Del Rey
25,000 / 537,000, 'Origins' by Imagine Dragons 9,000 /
1,583,000, 'Pray For The Wicked' by Panic! At The Disco 8,000 /
1,611,000, 'Question Mark'
by XXXTentacion 23,000 / 3,903,000, 'Rammstein' by Rammstein 12,000 /
1,128,000, 'Reputation' by Taylor Swift 7,000 / 5,050,000,
'Scorpion' by Drake 24,000 / 5,875,000, 'Seven' by Lil Nas X 26,000 /
856,000, 'Shawn Mendes' by Shawn Mendes
25,000 / 2,420,000, 'So Much Fun' by Young Thug 36,000 / 662,000, the 'Spider Man: Into The Spider-Verse' soundtrack
4,000 / 1,311,000, 'Staying At Tamara's' by George Ezra 5,000 /
1,592,000, 'Stoney' by Post Malone
21,000 / 5,041,000, 'Sweetener' by
Ariana Grande 10,000 / 2,658,000, 'Thank U, Next' by Ariana Grande 25,000 /
3,075,000, 'The
Greatest Showman' soundtrack 23,000 / 7,315,000, 'The Lion King: The
Gift' by Beyoncé 4,000 / 234,000, 'Trench' by Twenty
One Pilots 7,000 / 1,384,000, 'Views' by Drake 10,000 / 5,149,000, 'We
Are Not Your Kind' by Slipknot 9,000 / 542,000, 'We Love You Tecca'
by Lil Tecca 39,000 / 452,000,
'Western Stars' by Bruce Springsteen 8,000 / 689,000, and
'X' by Ed Sheeran 11,000 / 12,000,000. 'Dance Monkey' by
the 19 year-old Australian singer / songwriter Toni Watson,
known professionally as Tones And I, rules the Global Track Chart for
a second week with 379,000 points, another 6% growth compared to the
previous week. 'Señorita' by Shawn Mendes & Camila Cabello holds tight
at the runner-up slot for a second week, after 13 weeks at the summit,
with 321,000 points (down 5%) and 'Circles' by Post Malone sits tight
at no.3 with 268,000 points (up a little 0,5%). Highest debut of the
week comes from Selena Gomez. Her new smash, 'Lose You To Love Me', a
sad love ballad about a broken relationship (maybe about her
ex-boyfriend Justin Bieber?), bows at no.22 with 101,000 points. The
second and final debut of the week is 'Post Malone', an ode to the
American rapper by Dutch DJ Sam Feldt with vocals by Dutch singer
Rani. The tune arrives at no.39 with 62,000 points. By the way,
exactly one year ago, in the week 44, 2018, Post Malone's 'Sunflowers'
from the movie 'Spider-Man: Into The Spider-Verse' debuted at no.10
with 140,000 points. Now this collaboration with Rae Sremmurd rapper
Swae Lee is still on the tally at no.27 with 89,000 points. After 53
weeks on the hitlist the song has a total of 7,917,000 points, enough
for no.195 on the
ALL TIME CHART. New
on that list at no.400 is Lewis Capaldi's touching song 'Someone You
Loved' with 6,057,000 points. It's the 415th smash in our chart
history, which reaches this chart.
Outside
the Top 40 waiting among other 'Adicto' by Tainy at no.42, 'Trampoline' by Shaed
(feat. Zayn) at no.43,
'Ritmo' by the Black Eyed Peas at no.45, 'Outnumbered' by Dermot
Kennedy at no.47, and 'No
Me Conoce' by Jhay Cortez at no.55, and for their first appearance on the big list.
GLOBAL NO.1 - 50 YEARS AGO...
"Sugar
Sugar", released on May 24, 1969, became the biggest hymn of
the bubblegum pop genre that flourished from 1968 to 1973.
Originally The Archies was an American fictional band that
featured in the animated TV series, The Archies Show. The music
featured in the series was recorded by session musicians,
including Ron Dante on lead vocals and Toni Wine on duet and
backing vocals. Together they provided the voices of The Archies
using multitracking. "Sugar Sugar" went to no.1 in many countries
and was the most successful song of the year 1969 in the United
States and United Kingdom. On the Global Chart it reached no.4 on
the year-end hitlist 1969, but with the additional success in 1970
and a total of 9.974.000 points, it was also worldwide the most
successful single release of the year 1969.
USA
Billboard Report
(excerpt)
Lewis Capaldi's 'Someone You Loved' hits no.1
Tuesday, October 29, 2019
by Keith Caulfield & Gary Trust, Los Angeles
Post Malone’s Hollywood’s Bleeding becomes the first album
released in 2019 to score four weeks at No. 1 on the Billboard 200
chart, as the set climbs 2-1 on the list. The album earned
93,000 equivalent album units in the U.S. in the week ending
Oct. 24 (down 6%), according to Nielsen Music. Hollywood’s Bleeding
spent its first three weeks at No. 1 (charts dated Sept. 21 through Oct.
5). It returns to No. 1 on the latest tally, dated Nov. 2. Hollywood’s
Bleeding is also now solely the Post Malone album with the most weeks at
No. 1, as it surpasses the three weeks notched by his previous release,
2018’s beerbongs & bentleys. At No. 2 on the new Billboard 200, YoungBoy
Never Broke Again’s AI YoungBoy 2 slips down one spot after debuting at
No. 1. In its second week, it earned 80,000 equivalent album units (down
27%). Summer Walker’s Over It stays at No. 3 with 69,000 units (down
12%), DaBaby’s former No. 1 Kirk is a non-mover at No. 4 with 49,000
units (down 12%), and Taylor Swift’s former leader Lover rises 6-5 with
39,000 units (though down 10%). Billie Eilish’s When We All Fall Asleep,
Where Do We Go? climbs 8-6 with
32,000
units (down 6%) and Young Thug’s So Much Fun bounces 10-7 with
just over 31,000 units (down 3%). Lil Tjay’s True 2 Myself dips 5-8 in
its second week on the list, earning 31,000 units (down 30%). Gucci Mane
collects his seventh top 10 album on the Billboard 200, as Woptober II
debuts at No. 9 (nearly 31,000 equivalent album units earned, with 2,000
of that sum in album sales). The rapper earned his first top 10 back in
2009 with The State Vs. Radric Davis, which peaked at No. 10. Woptober
II is Gucci Mane’s second top 10 of 2019, following Delusions of
Grandeur, which debuted and peaked at No. 7 on the July 6-dated list,
starting with 32,000 units (3,000 in album sales). Rounding out the new
top 10 is Chris Brown’s former No. 1 Indigo, which falls 9-10 with
30,000 equivalent album units earned (down 9%).
A sad song leads to joyous news for Lewis Capaldi, as his breakthrough ballad
"Someone You Loved" rises to No. 1 on the Billboard Hot 100.
The track by the 23-year-old Scottish singer-songwriter, released on
Vertigo/Capitol Records, previously ruled multiple charts globally, including
the Official UK Singles survey, for seven weeks beginning in March.
Here's a deeper look at the 1,091st No. 1 in the Hot 100's six-decade history.
Airplay, sales & streams: "Someone" rises 3-2 on the Radio Songs chart, despite
a 2% dip to 105.6 million audience impressions in the week ending Oct. 27,
according to Nielsen Music. It pushes 5-2 on Digital Song Sales with a 41% surge
to 24,000 sold in the week ending Oct. 24, good for the Hot 100's top Sales
Gainer award. On Streaming Songs, the track ascends 11-8 (reaching the top 10
for the first time), up 2% to 25.2 million U.S. streams, in the week ending Oct.
24.
Notably, "Someone" leads the Hot 100 while not topping any of the chart's three
component tallies, a distinction that last occurred with Shawn Mendes and Camila
Cabello's "Señorita" (Aug. 31), a week after Billie Eilish's "Bad Guy" did the
same (Aug. 24). "Someone" reaches the Hot 100's summit in its 24th week on the
chart, completing the fifth-lengthiest climb to No. 1 all-time.
Lizzo's "Truth Hurts" drops to No. 2 on the Hot 100 after seven weeks at No. 1,
as it remains tied with Iggy Azalea's 2014 hit "Fancy," featuring Charli XCX,
for the longest reign for a rap song by a woman. "Truth" tops Radio Songs for a
sixth week (111.9 million, down 3%), while sliding 2-5 on Digital Song Sales
(17,000 sold, down 15%) and lifting 12-11 on Streaming Songs (21.7 million, down
7%).
Mendes and Cabello's "Señorita" retreats 2-3 on the Hot 100, while two other
tracks keep at their highpoints in the top five: Post Malone's "Circles" (No. 4)
and Chris Brown's "No Guidance," featuring Drake (No. 5), as the latter leads
Hot R&B Songs for a ninth week.
Lil Nas X's "Panini" pushes 9-6 on the Hot 100, after hitting No. 5, and Travis
Scott's "Highest in the Room" descends 6-7, after launching at No. 1 on the Oct.
19 chart, and leads Streaming Songs for a third week (33.8 million, down 9%).
Lil Tecca's "Ran$om" backtracks 7-8 on the Hot 100; Eilish's "Bad Guy" falls
8-9; and Dan + Shay and Justin Bieber's "10,000 Hours" returns to the region
(11-10), after debuting two weeks ago at No. 4, as it commands Hot Country Songs
for a third week.
Song Of The Month
'10,000 Hours', with guest vocals by Justin Bieber, is the first sign of the
upcoming new studio album by Dan & Shay, an American country music duo composed
of vocalists and songwriters Dan Smyers and Shay Mooney.
United Kingdom
Music Week Report
(excerpt)
Alternative rock band Foals secures first
no.1
Monday, October 28, 2019
by Alan Jones, London
Their five previous releases have all
reached the Top 10 but Foals finally secure their first No.1 album with
Everything Not Saved Will Be Lost: Part 2 debuting atop the chart on consumption
of 20,505 units (including 2,890 from sales-equivalent streams and 6,429 on
vinyl). Despite its chart-topping position, the record had the second lowest,
first week
sale for any album by the Oxford alternative rock band: their 2008 debut
Antidotes sold 25,292 copies to debut at No.3; 2010 follow-up debuted at No.8 on
sales of 15,163; 2013’s Holy Fire sold 38,162 copies opening at No.2; 2015’s
What Went Down was No.3 on 30,335 sales; and, just seven months ago, Everything
Not Saved Will Be Lost: Part 1 – which re-enters the chart this week at No.75
(1,330 sales) - was No.2 on 26,111 sales, losing a photo finish with Dave’s
first full-length release, Psychodrama, which achieved 279 more sales to beat it
to pole position.
It wasn’t exactly a canter for Everything Not Saved Will Be Lost – Part 2. It
managed to maintain a small but growing advantage all week over 2012 X-Factor
champion James Arthur’s third album, You, which debuts at No.2 on sales of
18,324 copies. Arthur’s last album, Back From The Edge, debuted at No.1 three
years ago next week on sales of 40,906 copies.
Florida rock band Alter Bridge’s sixth
studio set, Walk The Sky, debuts at No.4 (10,410 sales). Their fourth Top 10
album, it charts higher than the rest, apart from immediate predecessor The Last
Hero, three years ago to the week after it opened at No.3 (13,733 sales).
Yorkshire singer/songwriter Dominic Harrison’s eclectic work as Yungblud
contains element of pop, rock and hip-hop, and his new EP, the six song, 18
minute-long The Underrated Youth earns him his first Top 75 entry with some
ease, debuting at No.6 (9,475 sales). 1,022 of those sales were on cassette, in
which format it is the week’s biggest seller. Yungblud’s only full-length album,
21st Century Liability, peaked at No.142 in July 2018, and has thus far achieved
consumption of 30,746 units.
The fifth and final new entry to the Top 10 is Halfway To Paradise, the latest
release from Daniel O’Donnell. Debuting at No.8 (8,973 sales), it comes less
than eight months after his last compilation The Gold Collection – like Halfway
To Paradise, a 60 song, 3 CD set – reached No.23. Halfway To Paradise is the 57
year-old Irish country/MOR crooner 17th Top 10 album, 39th Top 40 album and 43rd
Top 75 album in a career which has seen him chart at least one new title for an
unprecedented 32 years in a row since his 1988 debut.
The rest of the Top 10: No.6 Collaborations Project (2-3, 11,638 sales) by Ed
Sheeran, Divinely Uninspired To A Hellish Extent (3-5, 9,810 sales) by Lewis
Capaldi, Hollywood’s Bleeding (4-7, 9,245 sales) by Post Malone, PTSD (5-9,
6,302 sales) by D-Block Europe and Bohemian Rhapsody (7-10, 5,341 sales) by
Queen.
Overall album sales are down 5.26% week-on-week at 1,662,914, 0.97% below same
week 2018 sales of 1,679,123. Sales-equivalent streams accounted for 1,147,491
sales, 69.00% of the total. Sales of paid-for albums are down 0.81% week-on-week
at 515,423, 23.37% below same week 2018 sales of 672,653.
Two historic runs come to an end this week, with Tones And I’s Dance Monkey
suffering a downturn in sales after 13 gains in a row, and Dermot Kennedy’s
Outnumbered ending a record run of 16 weeks in which it had improved its chart
position.
On its fourth week at No.1, consumption of Dance Monkey – the introductory hit
for 19 year-old Toni Watson, from Melbourne – falls by 3.99% to 81,198 units
(including 71,624 from sales-equivalent streams). However, its lead over Kosovan
DJ Regard’s debut smash Ride It – which is No.2 for the second week in a row,
and third time in four weeks (43,799 sales) – increases from 77.13% to 85.39%.
Two titles reach the Top 10 for the first time. Manchester rapper Aitch scores
his third Top 10 hit only two months after his first with Buss Down (ft. Top 10
newbie Ziezie) climbing 11-8 (25,775 sales), while Maroon 5 register their 11th
Top 10 hit with Memories advancing 19-10 (3,216 sales).
Ed Sheeran scores his 18th Top 5 hit in total, and his fifth from current album
No.6 Collaborations Project, with Camila Cabello and Cardi B collaboration,
South Of The Border (7-4, 30,025 sales), which also delivers Cabello’s third top
five hit and Cardi B’s second.
There are also new peaks for Circles (4-3, 32,437 sales) by Post Malone, and
Lewis Capaldi’s reactivated 2017 single Bruises (9-6, 27,594 sales).
The rest of the Top 10: Highest In The Room (5-5, 29,505 sales) by Travis Scott,
Outnumbered (6-7, 27,592 sales) by Dermot Kennedy and Be Honest (8-9, 25,041
sales) by Jorja Smith feat. Burna Boy.
Overall singles sales are down 5.28% week-on-week at 18,184,878, 13.49% above
same week 2018 sales of 16,022,768.
Paid-for sales are down 6.60% week-on-week at 557,749 – 31.92% below same week
2018 sales of 819,225. It is their lowest level since chart week 10, 2005 (Music
Week publication date March 19, 2005) – 763 weeks ago, and before downloads were
counted – when they were 523,223. They are below same week, previous year sales
for the 325th week in a row.