Global Chart Report
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'The Fate Of
Ophelia' tops a 7th week
Sunday, January 18, 2026
by Fred Chuchel, Dresden
The times they are
changin'... in the past, record
companies had to constantly produce
new music and promote new acts in
order to generate adequate profit.
In the age of streaming, that has
completely changed. Especially
because of platforms like TikTok or
Netflix, record companies can
increasingly live off their music
catalog and can largely do without
new music or acts. The result is
clearly visible in the charts, more
and more old songs are placed again.
For example Kate Bush's 'Running Up
That Hill (A Deal With God)'
appearance in the Netflix series
'Stranger Things', gives the song a
third entry on the international
hitlists. Originally released in
1985, it peaked at no.9 globally in
the calendar week 45 of that year.
In 2022 it made a spectacular
comeback and rose to the second
place in June / July. On the current
hitlist it ranks no.31 with
82,000 points. Even more successful
at the moment is 'Every Breath You
Take' by the Police from 1983. In
its release year
it became a global no.1
hit and placed at no.4 on the
Year-End Chart. This week it places
at no.19 with 114,000 points. By the way, 15 songs of our
current Top 40 were published before
2025! Back to a look to the upper
region of our chart, number one for
a seventh non-consecutive week is
Taylor Swift's 'The Fate Of Ophelia'
with 348,000 points, a minor 0,5%
increase
compared to the previous week.
Broken down by sectors the song gets
208,000 points by streaming (up 2,5%), 47,000 points by sales (up
4%), and 93,000 points by airplay
(down 5%). 'Golden' by the fictional
girl group Huntr/x - leading track
from the soundtrack to the American
animated musical fantasy film 'K-pop
Demon Hunters', released by Netflix
- holds tight at the runner-up slot with
317,000 points (up 2% with 206,000
points by streaming, 32,000 points
by sales, and 79,000 points by
airplay). Djo's 'End
Of Beginning', remains at
no.3
with 290,000 points, a 3%
growth compared to last week (249,000
points by streaming, 33,000 points
by sales, and 8,000 points by
airplay). The synth-pop /
baroque pop song was originally
released in March 2024 and peaked on
the Global Top 40 also at no.3 in the
calendar week 14, 2024. It gained
renewed popularity through its use in
Netflix’s 'Stranger Things'
and
global
advertising clips.
Highest debut of the week comes from
Bruno Mars: 'I Just Might', the
first sign of his upcoming fourth
studio album 'The Romantic', storms
at no.5 with 214,000 points (149,000
points by streaming, 36,000 points
by sales, and 29,000 points by
airplay.
Outside
our current Top 40 waiting among
other 'Daño'
by Peso Pluma & Tito Double P at
no.48, '4 Raws' by EsDeeKid at
no.51, and 'Choosin' Texas' by Ella Langley at
no.52 for
their first appearance on the
hitlist. 'With Heaven On Top', the
sixth studio album by American
country singer / songwriter Zach
Bryan, catapults atop the Global
Album Chart this week with 131,000
equivalent sales (116,000 points by
streaming + 15,000 points by sales).
Olivia Dean's 'The Art Of Loving'
remains at the runner-up slot with
104,000 consumption units (89,000
points by streaming + 15,000 points
by sales) and rounds out the top
three is last week's leader, Taylor
Swift's 12th studio
album 'The Life Of A Showgirl', with
99,000 equivalent sales (81,000
points by streaming + 18,000 points
by sales). And now, as every week,
additional stats from outside the
current Global Album Top 20 in
alphabetic order. The first figure
means last week's sales, the second
figure the total sales: '1989' by
Taylor Swift 15,000 / 17,218,000,
'1989 (Taylor's Version)' by Taylor
Swift 14,000 / 7,394,000, '21' by
Adele 13,000 / 34,260,000, '25' by
Adele 10,000 / 26,013,000, '30' by
Adele 9,000 / 7,151,000, 'After
Hours' by The Weeknd 28,000 /
11,831,000, 'Borondo' by Beéle
33,000 / 1,534,000, 'Brat' by Charli XCX
15,000 /
4,410,000, 'Chromakopia' by Tyler,
The Creator 18,000 / 2,724,000, 'Cowboy Carter' by
Beyoncé 10,000 / 2,352,000, 'Divide'
by Ed Sheeran 19,000 / 22,642,000,
'Eternal Sunshine' by Ariana Grande
34,000 / 5,275,000,
'Evermore' by Taylor Swift 10,000 /
7,003,000, 'Fireworks &
Rollerblades' by Benson Boone 23,000
/ 3,976,000, 'Folklore' by Taylor
Swift 28,000 / 12,928,000, 'Future
Nostalgia' by Dua Lipa 18,000 /
10,152,000, 'GNX' by Kendrick Lamar
21,000 / 3,990,000, 'Guts' by Olivia
Rodrigo 21,000 / 5,562,000,
'Hurry Up
Tomorrow' by The Weeknd 23,000 /
2,668,000, 'I've Tried Everything
But Therapy' by Teddy Swims 27,000 /
4,123,000,
'Incómodo' by Tito Double P 13,000 /
2,796,000, 'Lux' by Rosalíá 32,000 /
618,000, 'Mayhem' by Lady GaGa
36,000 / 2,858,000,
'Midnights' by Taylor Swift 20,000 /
13,255,000, 'One Thing At A Time' by
Morgan Wallen 26,000 / 10,220,000,
'Red (Taylor's Version)' by Taylor
Swift 10,000 / 7,078,000, 'Rosie' by
Rosé 16,000 / 2,393,000, 'Ruby' by
Jennie 24,000 / 1,814,000, 'Starboy'
by The Weeknd 33,000 / 10,248,000,
'Stick Season' by Noah Kahan 36,000
/ 6,037,000, 'Swag' by Justin Bieber
22,000 / 1,613,000, 'The Highlights' by The
Weeknd 23,000 / 10,669,000, 'The Rise
And Fall Of A Midwest Princess' by
Chappell Roan 24,000 / 4,706,000, 'The
Secret Of Us' by Gracie Abrams
32,000 / 3,929,000, 'The Tortured
Poets Department' by Taylor Swift
41,000 / 11,666,000, 'Tropicoqueta'
by Karol G 24,000 / 1,276,000, and
'When We All Fall Asleep, Where Do
We Go?' by Billie Eilish 14,000 /
13,298,000.
GLOBAL NO.1 - 20
YEARS AGO
...
"Hung Up", initially used in a number of television
advertisements and serials, was released on October 17, 2005 as the lead
single from Madonna's tenth studio album Confessions On A Dance Floor
(2005). The song prominently features a sample from the instrumental
introduction to Abba's hit single "Gimme, Gimme, Gimme (A Man After
Midnight)", for which Madonna personally sought permission from Abba's
songwriters Benny Andersson and Björn Ulaeus. Musically the song
influenced by pop from the 1980s, with a chugging groove and chorus and
a background element of a ticking clock that suggests the fear of
wasting time. Lyrically the song is written as a traditional dance
number about a strong, independent woman who has relationship troubles.
"Hung Up" reached only the no.7 position in the United States, but in
almost all other countries it went to number one. With a total of
8,698,000 points it was the second most successful single release of
2005, after James Blunt's 'You're Beautiful' with 9,527,000 points.
USA
Billboard Report
(excerpt)
Zach Bryan's 'With Heaven On
Top' debuts at No.1
Tuesday, January 20, 2026
by Keith Caulfield & Gary
Trust, Los Angeles
Zach Bryan earns his second
No. 1 album on the Billboard
200 chart (dated Jan. 24) as
With Heaven on Top opens in
the pole position with
134,000 equivalent album
units earned in the
United States in the week ending Jan. 15, according to Luminate. The 25-song
set is the second leader for the singer-songwriter, who previously led the tally
with his 2023 self-titled release. In total, Heaven marks the sixth top 40 set
for Bryan, with five of those reaching the top 10.
In early 2025, Bryan announced With Heaven on Top as a forthcoming EP. Then in
July, he shared the project’s release date of Jan. 9, 2026.
The set was issued via streaming services and as a widely available download for
purchase, while a CD and vinyl release are expected in March. The album’s
first-week was bolstered by its midweek deluxe reissue on Jan. 12 with 24 bonus
acoustic tracks.
Of With Heaven On Top’s 134,000 equivalent album units earned in the latest
tracking week, SEA units comprise 127,000 (equaling 130.32 million on-demand
official streams of the set’s tracks — it debuts at No. 1 on Top Streaming
Albums), album sales comprise 6,000 (it debuts at No. 7 on Top
Album Sales) and
TEA units comprise 1,000.
With Morgan Wallen’s
I’m the Problem slipping a spot to No. 2 (with 82,000 equivalent album units
earned, down 4%), the Nos. 1 and 2 albums on the Billboard 200 are country sets
for the first time in nearly two years. It last happened on the Feb. 17,
2024-dated chart, when Toby Keith’s 35 Biggest Hits reentered the chart at No. 1
following his death, and Wallen’s One Thing at a Time fell to No. 2. Olivia Dean’s
The Art of Loving holds at its peak of No. 3 (64,000 equivalent album units
earned, down 3%), Taylor Swift’s
chart-topping The Life of a Showgirl falls 2-4 (63,000, down 13%)
...and the former No. 1 soundtrack to KPop Demon Hunters is
down a rung to No. 5 (56,000, down 1%). The Kid Laroi lands
his second top 10 on the Billboard 200 as Before I Forget bows at No. 6 with
41,000 equivalent album units earned. Of that sum, SEA units comprise 30,000
(equaling 30.83 million on-demand official streams of the set’s songs; it debuts
at No. 13 on Top Streaming Albums), 11,000 comprise album sales (aided by the
availability of a signed CD, it debuts at No. 1 on Top Album Sales) and TEA
units comprise a negligible sum. The artist previously visited the top 10 with
the chart-topping F*ck Love in 2021.
Four former No. 1s round out the top 10 of the latest Billboard 200: SZA’s
SOS dips 6-7 (40,000 equivalent album units, down less than 1%), Tate McRae’s
So Close To What falls 5-8 (nearly 40,000, down 2%), Morgan Wallen’s
One Thing at a Time is down 8-9 (36,000, down less than 1%) and Sabrina
Carpenter’s
Man’s Best Friend descends 7-10 (33,000, down 12%). Bruno Mars’
“I Just Might” blasts onto
the Billboard Hot 100 at No.
1. The song starts as his
10th career leader, and his
first to debut at the
summit. Mars ties for the
10th-most No. 1s in the Hot
100’s history, which dates
to the chart’s Aug. 4, 1958,
inception. He’s just the
fourth solo male with 10 or
more No. 1s, joining Drake,
Michael Jackson and Stevie
Wonder. Released Jan. 9 on
Atlantic Records, “I Just
Might” arrives with 23.5
million official streams and
32.6 million radio airplay
audience impressions and
sold 13,000 in the United
States in its first week of
release (ending Jan. 15).
The single launches at No. 1
on the Streaming
Songs chart, where it’s
Mars’ fourth leader; at a
personal-best No. 12 on
Radio Songs — the highest
start for a lead male artist
since the chart became an
all-format ranking in 1998;
and at No. 1 on Digital Song
Sales, becoming his 12th
chart-topper. Taylor Swift’s
“The Fate of Ophelia” falls
to No. 2 on the Hot 100
after a career-best 10 weeks
at No. 1. Huntr/x’s “Golden”
holds at No. 3 on the Hot
100, after eight weeks at
No. 1 beginning last August;
Olivia Dean’s “Man I Need”
repeats at its No. 4 high;
and Alex Warren’s
“Ordinary,” which reigned
for 10 weeks starting last
May, drops 2-5, as it claims
a 26th week at No. 1 on
Radio Songs (67.5 million,
down 6%). Ella Langley’s
“Choosin’ Texas” backtracks
to No. 6 from its No. 5 Hot
100 best as it leads the Hot
Country Songs chart for an
eighth week. Djo’s “End of
Beginning” descends to No. 7
on the Hot 100 a week after
it reached the top 10, at
No. 6. Rounding out the Hot
100’s top 10, sombr’s “Back
to Friends” is steady at No.
8 after hitting No. 7;
Kehlani’s “Folded” falls to
No. 9 from its No. 7 high;
and Swift’s “Opalite” slips
9-10, after reaching No. 2.
Record Of The Month
'I Just Might' by Bruno Mars
is the first big global
release of 2026
and also the first sign of
his new album 'The
Romantic', available
February 27.
United Kingdom
Music Week Report
(excerpt)
Djo's 'End Of Beginning'
holds
no.1 position
Monday, January 19, 2026
by Alan Jones, London
Stronger Thing: End Of
Beginning racks up a 12.20%
increase to 53,743 units
(334 cassettes, 1,104
digital downloads, 52,305
sales-equivalent streams) in
the latest frame, easing its
way to a second week at No.1
for Djo – Stranger Things
actor Joe Keery. While the
songs actually featured in
Stranger Things
are in decline (see below), Keery’s tangential momentum continues
to grow, with End Of Beginning now being joined in the Top 75 by two
further DJO/Joe cuts, Basic Being Basic (81-62, 7,478 sales), and Delete
Ya (95-74, 6,281 sales). Both songs – but not End Of Beginning - are
from his debut album The Crux, which holds at No.57 (2,474 sales) this
week.
I Just Might is the introductory single from Bruno
Mars’ eagerly awaited fourth album, The Romantic, and the highest of
eight new entries to the Top 75 this week, opening at No.6 (30,633
sales). It thus becomes his 30th charted single, and 14th Top 10 hit,
including collaborations, in a career that stretches back to 2010, and
has seen consumption of his songs in excess of 43 million units. Perhaps
surprisingly, I Just Might is the first hit by Mars on which he gets a
solo artist credit since Versace On The Floor peaked at No.59 in 2017.
The single’s release drives Mars’ entire oeuvre to
increase consumption,
most notably earning re-entries for 2024’s Lady
Gaga collaboration Die With A Smile (No.28, 12,452 sales) and 2012’s
Locked Out Of Heaven (No.36, 10,611 sales), both No.2 hits. On the album
chart, Mars’ 2010 debut, Doo-Wops & Hooligans, increases consumption
90.22% week-on-week to 3,608 units, elevating 84-31 to secure its
highest chart placing for 716 weeks – nearly 14 years. Home to the No.1
singles Just The Way You Are and Grenade, the album itself spent two
weeks at No.1, has spent 663 weeks in the Top 200 (291 of them in the
Top 75), and is the 45th biggest artist album of the millennium, with
to-date consumption of 2,435,575 units.
Two weeks after reaching its previous peak of
No.3, Raindance bounds 4-2 (45,947 sales) for Dave & Tems.
No.1 again on the album chart, and newly nominated
for four MOBO awards, Olivia Dean continues to have three songs in the
Top 10, with So Easy (To Fall In Love) holding at No.5 (31,535 sales),
Rein Me In (with Sam Fender) falling 6-7 (29,604 sales) and Man I Need
slipping 7-8 (28,449 sales), all on increasing consumption. Man I Need
is No.1 on the Top 200 Combined Tracks chart for the third week in a row
with unadjusted consumption of 56,108 units.
The rest of the Top 10: The Fate Of Ophelia (2-3,
43,387 sales) by Taylor Swift, Where Is My Husband! (3-4, 42,134 sales)
by Raye, Lush Life (8-9, 28,335 sales) by Zara Larsson and – back in the
Top 10 eight weeks after peaking at No.9 – Die On This Hill (11-10,
26,428 sales) by Sienna Spiro. Overall singles consumption is up 9.56% week-on-week to 30,694,256
units, 4.44% above same week 2025 sales of 29,389,252 units. Paid-for
sales are up 9.53% week-on-week at 246,031, 0.67% above same week 2025
sales of 244,394.
In pursuit of their first No.1 album since
2003, Blue got off to a terrific start, with their seventh
studio set, Reflections, over 5,000 units ahead of its nearest
challenger, and more than 8,000 units ahead of Olivia Dean’s The
Art Of Loving in the first of this week’s sales flashes.
Dean whittled away that lead as the week
went on, however, and emerges triumphant, with The Art Of Loving
snatching pole position at the death, securing its third
straight week at the summit (and fifth in all) on consumption of
16,836 units (846 CDs, 1,326 vinyl albums, 54 cassettes, 243
digital downloads and 14,367 sales-equivalent streams) – the
lowest for a No.1 for 22 weeks.
Blue’s fast start was facilitated by the
simultaneous release of no fewer than 20 physical variants –
eight CD, eight vinyl and four cassette – and in-store signings
which generated multiple purchases from eager fans but wasn’t
quite enough to earn them their fourth No.1 album in all. It
would have been their first since Guilty opened its account with
sales of 88,879 copies a little over 22 years ago, completing a
triumvirate of career-opening No.1s for the boy band, alongside
debut set All Rise, which sold 137,499 copies on debut atop the
list in 2001, and One Love, which sold 117,510 copies to claim
pole position a year later.
Finishing in second place, Reflections’
opening tally of 15,737 sales is the highest for a studio album
by Blue since Guilty and their best for any album since their
2004 Best Of opened at No.6 with 58,336 sales in 2004. On hiatus
between 2005 and 2011, their subsequent studio releases Roulette
(No.13, first week sales 8,381, 2013), Colours (No.13, 8,586
sales, 2015) and Heart & Soul (No.22, 3,521 sales, 2022) all
fell short of the Top 10 and had lower first week sales than
Reflections, whose release comes ahead of Blue’s extensive 25th
anniversary tour, which starts in Oxford in April.
The band retains its original line-up of
Duncan James, Simon Webbe, Lee Ryan and Antony Costa, and every
track on Reflections was co-written by one of the four with
outsiders, apart from opening track The Vow, on which both Costa
and Ryan have writer credits alongside Jonny Wright. Blue have
sold upwards of four million albums in the UK with top titles
being One Love (1,426,478 sales), All Rise (1,319,390 sales),
Best Of (690,539 sales), Guilty (661,599 sales) and 4Ever Blue
(47,441 sales), a 2005 compilation that was never released
physically in the UK but is available digitally.
The Blue album is but the most visible of
six albums debuting in the Top 75 this week – the first new
intake of 2026.
Released only digitally as this juncture,
country star Zach Bryan’s sixth studio album, With Heaven On
Top, nevertheless performs very strongly, debuting at No.3
(10,531 sales) to earn the 29-year-old his first Top 10 entry.
Comprising 25 new songs, all written solely by Bryan, it has
been released in regular and acoustic editions – the latter
omitting the spoken-word track, Down Down Stream. On course to
become Bryan’s second No.1 album in the USA, With Heaven On Top
is his third Top 75 entry here, following his eponymous fourth
album, which peaked at No.22 in 2023, and The Great American Bar
Scene, a No.16 album in 2024. Bryan’s first Top 200 entry was
his third album, American Heartbreak, a 2022 release that peaked
at no.122, and has to-date consumption of 105,710 units – more
than The Great American Bar Scene (76,645 units) but less than
Zach Bryan (145,764 units).
Yorkshire indie/rock trio The Cribs –
45-year-old twins Ryan and Gary Jarman and their 41-year-old
brother Ross – debut at No.5 (8,014 sales) with Selling A Vibe,
their ninth studio album in all, and their first for more than
five years. It is their fifth Top 10 album, and their
highest-charting, eclipsing the No.8 peak achieved by 2009’s
Ignore The Ignorant and 2017’s 24/7 Rock Star Shit. Their third
album – 2007’s Men’s Needs, Women’s Needs, Whatever – is their
biggest seller and only gold album, with to-date consumption of
115,278 units.
The rest of the Top 10: 50 Years: Don’t
Stop (3-4, 8,715 sales) by Fleetwood Mac, Man’s Best Friend
(2-6, 7,498 sales) by Sabrina Carpenter, The Highlights (5-7,
7,458 sales) by The Weeknd, The Life Of A Showgirl (4-8, 7,150
sales) by Taylor Swift, , +-=÷× Tour Collection (6-9, 6,298
sales) by Ed Sheeran and So Close To What (7-10, 5,899 sales) by
Tate McRae.
Overall album sales are up 8.17% week-on-week at 2,519,544
units, 4.20% above same week 2025 sales of 2,417,907. Physical
product accounts for 298,478 sales, 11.85% of the total.